By: Braly Studios
I hear some version of this all the time.
“I’m not photogenic.”
Sometimes it comes with a laugh. Sometimes someone says it before they've even stepped in front of my camera, almost like they're warning me.
Just so you know, I'm terrible in pictures.
And I've heard it from teenagers coming in for senior pictures.
I've heard it from women who haven't been professionally photographed in 20 years.
I've heard it from successful business owners who can walk into a room and command attention but absolutely hate having their picture taken.
After 17 years of photographing people, here's what I've learned:
I don't think most people are unphotogenic.
I think most people have had bad pictures taken of them.
There is a HUGE difference.
Think about the pictures you dislike of yourself.
Someone caught you mid-sentence.
The camera was too low.
The light was directly overhead.
You didn't know where to put your hands.
Someone told you to “just act natural,” which immediately made you forget how to act like a human being.
And then you saw the picture and thought:
Yep. There it is. I'm just not photogenic.
But photography isn't simply pointing a camera at someone and documenting whatever happens.
Lighting matters.
Camera angle matters.
Lens choice matters.
Posing matters.
Expression matters.
What you're wearing matters.
And probably more than anything, how you feel while you're being photographed matters.
A good portrait photographer understands how all of those things work together.
That's why I don't expect my clients to know how to be photogenic.
That's my job.
I know.
You really believe it.
You have evidence. 😂
You have an entire camera roll ready to prove your case.
But here's what I wish more people understood:
Being uncomfortable in photographs isn't the same thing as being unphotogenic.
Most people aren't professional models.
Why would you automatically know what to do when someone points a giant camera at your face?
You don't need to know your angles before you come into my Fort Worth portrait studio. You don't need to practice posing. You don't need to know what to do with your hands.
I direct all of that.
Sometimes I'll move your chin half an inch.
I'll change the angle of your shoulders.
I'll adjust the light.
I'll move myself.
I'll tell you exactly where to look.
And sometimes I will make a noise that isn't actually a word because I can see the photograph happening and apparently I've forgotten how to speak.
It happens.
The point is, you don't have to perform for my camera.
Let me do my job.
This is especially important with high school seniors.
I've had plenty of parents tell me:
“My daughter is really nervous.”
“My son does NOT want senior pictures.”
“She doesn't know how to pose.”
“He hates having his picture taken.”
Perfectly normal.
When I create modern senior portraits in Fort Worth, I'm not expecting a 17-year-old to walk into the studio knowing how to model.
I want to know who they are.
What do they wear?
What do they love?
Are they outgoing or quiet?
Athletic?
Artistic?
A little edgy?
Fashion obsessed?
Would they rather be outside in boots than dressed up in a studio?
Do they want something clean and modern or something that looks like it came straight out of a magazine?
We build from there.
Because the goal isn't to turn your senior into somebody else for a photo shoot.
The goal is to photograph the person who is already there really, really well.
This is one of the reasons I love creating dramatic studio senior portraits.
In the studio, I get to control everything.
Light.
Shadow.
Background.
Movement.
Mood.
And when those pieces come together, something really cool happens.
A teenager who walked in telling me they're awkward suddenly sees themselves looking like they belong in an editorial.
And I LIVE for that moment.
Not because I transformed them into someone beautiful.
They already walked in that way.
I just knew how to photograph it.
That's an important distinction.
This isn't just a senior portrait problem.
I hear the exact same thing in women's portrait photography.
Actually, sometimes I hear it even more.
Women come into my studio carrying years of reasons why they shouldn't be photographed.
I've gained weight.
I'm older now.
I hate my arms.
I don't like my smile.
I need to lose 20 pounds first.
I haven't been photographed since my kids were little.
And somewhere along the way, a lot of women decided photographs were for the younger, thinner, earlier version of themselves.
I don't believe that.
You don't have to change your body before you deserve photographs you love.
You don't need Botox first.
You don't have to suddenly become confident.
And you definitely don't have to wait until you become more “photogenic.”
Come as you are now.
There's a misconception about posing that I think is worth talking about.
Good posing isn't memorizing ten flattering poses and putting every client into them.
People aren't built the same.
And thank goodness for that.
When I'm photographing someone, I'm paying attention to their body, their face, their movement and the way they naturally express themselves.
That's true whether I'm creating women's portraits, professional headshots, modern senior portraits or dramatic studio photography.
I don't need you to fit my pose.
I need the pose to fit you.
That's a completely different approach.
Light can change everything about a portrait.
It can create shape.
It can soften.
It can emphasize.
It can add drama.
It can make an image feel light and joyful or deep and cinematic.
It's one of the reasons I've spent so many years learning lighting instead of relying exclusively on whatever light happens to be available.
Inside my Fort Worth studio, I can build the light around the person and the portrait we're trying to create.
And outside the studio?
I bring light with me when I need it.
Because I don't want the quality of your portraits to depend entirely on whether Mother Nature decides to cooperate that day.
This might be the biggest thing.
When you're worried that you're not photogenic, you're paying attention to everything you think you're doing wrong.
Meanwhile, I am paying attention to you.
I'm watching your expression.
I'm watching how the light hits your face.
I'm looking for the second when you stop thinking about the camera.
I'm making adjustments you may not even realize I'm making.
And I'm looking for you.
Not some perfected version of you.
Not the Instagram version.
You.
That's especially important to me because a portrait can be beautiful and still somehow not feel like the person in it.
I want both.
I want beautiful photographs.
But I also want you to recognize yourself in them.
Then maybe we start there.
Not with the expectation that you're suddenly going to love being photographed.
Not with pressure to be confident.
Just with the possibility that maybe the story you've been telling yourself isn't entirely true.
Maybe you're not unphotogenic.
Maybe nobody has taken the time to figure out how you need to be photographed.
That's very different.
And whether I'm photographing a high school senior who swears they're awkward or a 50-year-old woman who has spent the last 20 years hiding behind the camera…
I want the same thing to happen.
I want you to see the photograph and think:
Wait. That's me?
Yep.
It was you the whole time.
If you've been putting off portraits because you think you're not photogenic, you don't need to fix that before you contact me.
Seriously.
That's not your homework.
At Braly Studios in Fort Worth, Texas, I photograph high school seniors, women, families and entrepreneurs with a focus on intentional lighting, posing, expression and creating portraits that actually feel like the person in front of my camera.
From modern senior portraits and dramatic studio senior portraits to women's portrait photography, every session is planned around the individual instead of forcing everyone through the same formula.
You don't need to know how to pose.
You don't need to know your good side.
You don't need to lose weight first.
And you don't need to become photogenic.
You just need a photographer who knows what to do with you once you get here.
Leave a comment
0 Comments